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Calidad Revistas Científicas Españolas
VOL.
28(4)/
2015
Author / José Antonio PLANES PEDREÑO Lecturer of Communication and Audiovisual Languages. University of Medellín, Colombia
Author / Pedro Luis PÉREZ DÍAZ Teaching Assistant of Journalism. Catholic University of San Antonio, Murcia, Spain
More authors:  1 2
Article / The visual poetry in the film criticism of Ángel Fernández-Santos

Abstract /

Very often, it is difficult in the film criticism to distinguish the aesthetic principles of the films which are judged as excellent, non-standard or, even, masterpieces. Within the film criticism of Ángel Fernández-Santos, one of the most prestigious film critics in the history of Spanish cinema, ‘visual poetry’ is a recurrent concept that allows us to identify these principles. It is a term that, within his evaluative arguments, constitutes one out of three great stylistic strategies which, due to their difficulty and complexity when applied in the filmmaking, the critic tends to associate with the highest levels of the aesthetic quality. The other two strategies are the ‘transparency/depth dichotomy’ and the ‘expressive paradoxes’. In this paper, we focus on the film aesthetic patterns of Ángel Fernández-Santos in order to extract from his reviews only the definition, features and typologies of the visual poetry concept where it is clearly used. Those writings come from his journalist career in the newspaper El País (1982-2004), and they are devoted to analyse a range of audiovisual productions of different periods and styles; but before that, we will make reference to the origins and the application of the visual poetry concept in the legacy of the film theory and criticism with the aim of highlighting the influences that, (in this field) determine the aesthetic scope in the film reviews of Fernández-Santos

Keywords /

Film criticism, film poetry, visual poetry, film aesthetics, film theory

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